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Yesterday a good friend whisked me off to the National Concert Hall to experience the music of Max Richter. This German-born composer grew up in England and is possibly best known for the stunning score he composed for Shutter Island (On the Nature of Daylight) and his scores for the TV series The Leftovers.

We had front row seats and the ebb and flow of a mix of classical and contemporary music washed over us without any barriers. The violins lamented and soared, the cellos moaned and exalted, the piano sang, hummed and often led the way.

The concert started with The Blue Notebooks, inspired by Kafka, and the  words of Kafka led into imagined worlds of sound. After a short break we were treated to 90 minutes of Sleep. Max Richter calls it an eight hour long lullaby or cradle song and while listening it is easy to see why. Sleep is an exploration of the unconscious, which both music and sleep are doors into. The melting of strings and wordless vocals in a high, clear soprano, with the piano echoing, conjured up dreams and gave flight to the imagination.

It was a wonderful night out and the experience will linger with me for a while, just like the notes played lingered in the air.

Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything.